General Director Assistant: Ikki Todoroki.Dialogue Director: Yo Yamada (sound team Don Juan).Art Director: Tatsuya Kushida (Director), Toru Fukushi (T2 studio).Design Works: Ikuto Yamashita, Shigeto Koyama, Moyoco Anno, Takeshi Takakura, Takashi Watabe.Deputy director: Touko Yatabe, Daizen Komatsuda.Drawing Director: Shuichi Iseki, Sejoon Kim, Naoyuki Asano, Masayoshi Tanaka, Kouichi Arai.General Drawing Director: Atsushi Nishigori.Planning/Original/Screenplay: Hideaki Anno.It also accompanied a prequel manga to the events of Evangelion: 3.0 You Can (Not) Redo, called EVANGELION 3.0 (-120 min.).
Neon drive concept art movie#
On June 07, 2021, Khara announced a new version of the movie with corrected cuts called "Evangelion: 3.0 + 1.01" to be released on On June 12, 2021. On February 26, 2021, Khara announced a new release date, on March 8, 2021. On January 14, 2021, it was announced that due to COVID-19, the movie release would be delayed again, including the soundtrack by Shiro Sagisu. On December 25, 2020, a new preview featuring more scenes from the movie was released. On October 16, 2020, it was revealed that the movie would be released in Japan theatres on January 23rd, 2021, alongside a new preview. On April 17, 2020, it was announced that due to COVID-19, the movie release would be delayed. The preview was later posted officially online. On July 18, 2019, during showings of Makoto Shinkai's new film, "Weathering with You", a new preview for 3.0 + 1.0 was revealed announcing a June 2020 release. Additional information, including specific venue locations for Japan, will be revealed on the EVA-EXTRA app as part of the "Operation 0706" project the screenings are tied into. Similarly to Shanghai, Anime Expo in Los Angeles will have their showing after a screening of Evangelion 3.0. In Shanghai, the showing will take place in Jingán District after a screening of Evangelion 3.0. In Japan, the showings will take place in two Tokyo locations, Sapporo, Nagoya, Osaka, and Hakata. In Paris, the showing will take place at Anime Expo's Yoko Takahashi x Evangelion Stage presentation. The showings will be screened simultaneously to Japan, Los Angeles, and Shanghai live from Paris. On June 24, 2019, Toei announced that the first 10 minutes of the film would be shown at Japan Expo in Paris, Anime Expo in Los Angeles, in Shanghai, and in various locations across Japan on July 6. On March 20, 2019, Studio Khara revealed on Twitter that dialogue recording had begun for the film, showing a picture of Hideaki Anno's script. This teaser revealed that 3.0+1.0 is to be released in 2020. On July 24, 2018, a teaser was shown before the screening of Hosoda's new movie, "Mirai no Mirai". On August 6, 2017, pictures of a new Eva-02 form illustrated by Hideaki Anno from the annual lantern festival surfaced as a teaser for the movie, much like for the previous one. In an interview posted on YouTube from June 2017, Hideaki Anno stated that the film would be released between March and April of 2018.Īt the end of July 2017, a new teaser poster (featured on the left) was posted on the official Evangelion website saying that the movie was in production by studio Khara. "New Unit-02" (新2号機, " Shin Nigōki"), as illustrated by Hideaki Anno "EVANGELION:3.0+1.0 in production by studio khara" In September 2014, the title card of the film was updated on the official film site, the new title is " Evangelion 3.0 + 1.0". The film has been delayed most recently by the absence of Hideaki Anno while he was working on Toho's Shin Godzila ( Shin Gojira) Nine times out of 10, they nail it and an immense amount of time and energy is saved when we trust the creatives with… well the creative.It was previously slated for fall or winter of 2015.
![neon drive concept art neon drive concept art](https://cdn.cloudflare.steamstatic.com/steam/apps/1239690/extras/retro2.png)
Rather than tasking an artist with taking the first steps, we challenge them to pitch us the “final.” The 3D process facilitates this because even if they are “off” with the composition or lighting, it’s all easy to fix. It isn’t just an image they look at and recreate but a data-rich 3D model that is already composed and lit in a scene! What makes this possible is incredible artists who learn to become incredibly technical. They are also 95% realized in 3D which give the VFX team an incredible head start in creating the actual shot. These techniques beget concepts that look almost exactly like what we would want the final shot to be. Makes sense as “concept” is in the title.īut in the past five years what USED to be done in Photoshop to create a quick approximation of a shot, has evolved into advanced 3D modeling and texturing techniques. In the past, concept art could be described as an “approximate idea” of what the final shot would be. For this project, like many other for Francois, we approached Concept Art in a new way.